Heavily involved with the campaign of community organising and propaganda
that led up to the 'Battle of Hernani' in 1830, the young radical Romanticist writer Casimir Cordellier-Delanoue, already involved with the little magazine Psyche, recognised the
necessity of continuing the communal velocity created by that event,and to use it as a catalyst to press the Romanticist revolution to new
extremes and continued cultural struggle. To that end, he scraped together contributions from among leaders of the "Romanticist Army"
attending every performance of the "Battle of Hernani" and launched a small journal called Le Tribune romantique, or Romanticist Platform.
In it, he and his collaborators, including Gérard de Nerval, Alexandre
Dumas, Ernest Fuinet, Victor Pavie, Paul Foucher, and Félix Roselly
articulated and promoted an aggressively militant Romanticism, linked to
progressive politics, in the form of manifestos, critical articles on
Romanticist writers and actors, Romanticist theory and historiography,
literary, theatrical and musical reviews (including one of Nodier's
wildly experimental novel Histoire du Roi de Bohème, held by this
archive), translations of German and English Romanticism, and
announcements of forthcoming publications. Although the journal published only a few issues in the spring and summer of 1830 and circulated among a small, intimate readership (no full
set survives, and it is not even certain how many issues were
published), it catalyzed and focused the communal energy unleashed by
the ongoing Battle of Hernani, and thus played a foundational
role in the development of the avant-garde. It helped to establish a
rich tradition of avant-garde journals and zines with tiny runs but
decisive long-term effects, including Les Guêpes, Pêre Ubu's Almanac, Le Revue Blanc, Maintenant, Cabaret Voltaire, Potlatch, Fuck You: A Magazine of the Arts, Semina, SMILE, and The Lost and Found Times.
Also known as the Bousingot, Bousingo, Bouzingot, Jeunes-France, Petit-Cénacle, and the Brigands of Thought, c. 1829-1834.
This is the central site for a long-term project to research, examine, and respond to the radical collective of writers, theorists, architects, and visual artists who operated in Paris between 1829 and 1835 under the names of the Jeunes France & the Bouzingo, and through them to build a critical understanding of French Romanticist subculture through the historical lens of a continuing politically vigilant Anglophone avant-garde.
Sunday, January 29, 2017
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