This is the central site for a long-term project to research, examine, and respond to the radical collective of writers, theorists, architects, and visual artists who operated in Paris between 1829 and 1835 under the names of the Jeunes France & the Bouzingo, and through them to build a critical understanding of French Romanticist subculture through the historical lens of a continuing politically vigilant Anglophone avant-garde.

Léon Halévy

Several important threads in the historical fabric of the early avant-garde together are tied together in the person of Léon Halévy. He was the personal secretary of the proto-socialist Claude-Henry Saint-Simon, and was with him on his deathbed; afterward, he became involved with Romanticist subculture, writing many plays including adaptations of novels by Georges Sand, Jules Janin, and others. As such, he provided a social link between his close collaborator and fellow Saint-Simonist Olinde Rodrigues, who coined the term "avant-garde" in 1826 (see his anthology of self-taught proletarian poets in the "Anthologies" tab), and his good friend Petrus Borel, co-founder of the avant-garde Bouzingo group.
 
Around 1838 Halévy had a short-lived tenure as editor of Figaro, the satirical journal that had earlier generated both the name "Jeune-France" and "Bousingot" (détourned by the group to become "Jeunes-France" and "Bouzingo").

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