This is the central site for a long-term project to research, examine, and respond to the radical collective of writers, theorists, architects, and visual artists who operated in Paris between 1829 and 1835 under the names of the Jeunes France & the Bouzingo, and through them to build a critical understanding of French Romanticist subculture through the historical lens of a continuing politically vigilant Anglophone avant-garde.

Pierre-Jean Béranger


Béranger's satirical songs, for which he was imprisoned several times for sedition, enjoyed immense popularity among the literate working class, Liberal bourgeoisie, and leftist intellectuals for the first 50 years of the 19th Century, and are credited with having materially contributed to the outbreak of both the 1830 and the 1848 revolutions. As with most vernacular song-writers, Béranger wrote his lyrics to popular traditional tunes that would be easily recognised, and intended the songs to be sung collectively in 'goguette' singing clubs, pubs, homes, and political meetings. A member of the Caveau Moderne (Modern Vault) songwriting group, he was a major influence on the Jeunes-France, nearly all of whom dedicated poems and prints to him. That group became notorious for roaming the city shouting out seditious songs by Béranger and other subversive songwriters.

No comments:

Post a Comment