This is the central site for a long-term project to research, examine, and respond to the radical collective of writers, theorists, architects, and visual artists who operated in Paris between 1829 and 1835 under the names of the Jeunes France & the Bouzingo, and through them to build a critical understanding of French Romanticist subculture through the historical lens of a continuing politically vigilant Anglophone avant-garde.

Sunday, August 20, 2017

New Release: REVANANCE Journal, Issue 2!

Rêvenance: A Zine of Hauntings from Underground Histories. Issue 2.
–ed. Olchar E. Lindsann
Revenance 2 cover
 
Rêvenance
is the flagship journal of the Resurrecting the Bouzingo project and Revenant Editions series, dedicated to the forgotten or untold histories of 19th Century avant-garde and other countercultures. It includes essays, translations, and many experimental forms of historical writing and research that connect those traditions to continuing radical communities today.
 
This issue includes an 1832 satire of the Bouzingo translated by Elizabeth Birdsall, essays on experimental historiography by Olchar E. Lindsann and Gleb Kolomiets, poems by Arthur Cravan, Marceline Debordes-Valmore, Ivan Gilkin, and Francis Vielé-Griffin (the latter from a manuscript previously unpublished even in French), the preface to Roger de Beauvoir’s 1840 book about the 18th Century black musician and revolutionary soldier the Chevalier de Saint-Georges, a biography of a 17th Century female scam artist known as The German Princess, a 1912 review of Arthur Cravan’s proto-Dada journal Maintenant, transductions by O. Lindsann of poems from the Chat Noir group, and images by Célestin Nanteuil.

Featuring: Olchar E. Lindsann, Gleb Kolomiets, Elizabeth Birdsall, Raymond E. André III, Marceline Desbordes-Valmore, Arthur Cravan, Célestin Nanteuil, The Chat Noir, Ivan Gilkin, Roger de Beauvoir, Fernand Clerget, Albert Sérieys, Francis Vielé-Griffin, “The German Princess”, Alphonse Karr, Charles-Henry Hirsch, Charles Whitehead, John Payne, & Léon Gozlan.

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36 pgs on folded 8.5”x14”. Sept., A.Da. 100 (2016).
$5.50 + 1.00 s/h or FREE DOWNLOAD

Thursday, August 3, 2017

Some early Romanticist Fanfic...

1920s Romanticist Fanfic (sadly incomplete) in the Revenant Archive:

Les Annales politiques et Littéraire: Revue Universelle, Illustré, Hebdomadaire. ed. Adolphe Brisson. (Aug 23, 1925). Paris. Paperback Quarto. 26 pp. With Sheet Music Supplement: La Musique des Annales. Paperback Octavo, 8 pp.
and
Les Annales politiques et Littéraire: Revue Universelle, Illustré, Hebdomadaire. ed. Adolphe Brisson. (Oct. 11, 1925). Paris. Paperback Quarto.
 
Les Annales politiques et Littéraire was a journal of literary and cultural history edited by Adolphe Brisson, and had been founded by his father. Brisson had pronounced right-wing leanings, and although the magazine itself was ostensibly apolitical in mandate, the fact that it took such a continuous interest in Romanticism throughout its long existence (see the 1903 issue focusing on Hernani, also collected in the Revenant Archive) is evidence of the extent to which the legacy of the movement's mainstream – and to a certain extent its more radical forms as well – had been pacified and co-opted by bourgeois culture by century's end, to the extent where fanfic about Romanticist subculture in the 1830s is included alongside a nationalistic text by Maurice Barrés,whose parodic "trial" had recently been the pretext for the dissolution of the Paris Dada group, and a racist pro-colonial article by the contemptible ethnologist Gustave le Bon (whose personal copy of Gautier's History of Romanticism, used to research his published attacks against the avant-garde, is held in the Revenant Archive; see Historiography).
 
These issues include episodes 4 and 12 of an illustrated serial novel, Les Enfants d'Hernani (The Children of Hernani) by Tancrède Martel, a spirited and light-hearted saga of young Romanticist writers and artists. Essentially Romanticist fanfic avant le lettre, it is packed with references, in-jokes, and trivia regarding the subculture, and the Romantics themselves would no doubt appreciate its local colour. It boasts a huge cast of characters, including historical avant-gardists such as Petrus Borel, Gérard de Nerval, Camille Rogier, Frédéric Lemaitre, Devéria, Hugo, d'Angers, Vabre, etc. etc. etc. In fact Martel, one of the most respected historical novelists of his day, had been close to many of the Parnassian and older Decadent writers such as Théodore de Banville, Jean Richepin, Barbey d'Aurevilly, and with the aging Hugo himself. The novel never seems to have published on its own, which is a shame.


 
Additionally, the August Issue includes a supplement of sheet music containing three short songs, One, La Ronde autour du monde (The Ring Around the World), contains lyrics by the Symbolist Paul Fort (see his manuscript poem and inscribed copy of Hélène en fleur et Charlemagne held in the Revenant Archive). Another has passed through so many translations and adaptations that six musicians and writers share credit – La Veuve joyeuse (The Joyous Widow), by Franz Lehar, with G.-A. de Caillavet, & Robert de Flers, after Meilhac, Victor Léon, & Léo Stein. The last is Premier Amour (First Love) by G. Michiels.

The October Issue, in addition to the episode of the novel, includes the article by Le Bon mentioned above, a short story by Colette, and an article on the theatrical riot at the premier of Wagner's Tannhauser in 1861. There seems no way to recover it short of tracking down and acquiring every issue, but some parts of it can be found in issues online at Gallica HERE.